Sonixinema Contemporary Soloists Cello KONTAKT
Contemporary Soloists: Cello is the first installment in our new range of instruments for Kontakt. Featuring unique and contemporary orchestral cello textures performed by virtuoso cellist and composer, Danny Keane, It is full of soul, emotion and raw character.
Designed to fill a gap in the virtual cello market, this library has a wonderfully compelling and intimate sound which is perfect for capturing a modern cinematic sound world which can be heard in scores by the likes of Jed Kurzel, Hildur Guðnadóttir and Jóhann Jóhannsson. Our custom user interface was carefully designed to be both intuitive and inspiring, allowing you to warp and shape your sound with filters, reverbs, distortion and much more.
Recording the Contemporary Soloists series is something we have had at the back of our minds since starting Sonixinema. We see it as the culmination of everything we’ve learned throughout our sampling adventure, and it truly represents Sonixinema’s ideals and taste. After being introduced to Danny and hearing him play, we knew we had to get together in the studio and start with one of our favourite instruments, the Cello.
To capture the rich and delicate tone of Danny’s 19th Century Cello, we decided to choose a relatively dry room, to get that real up close and personal sound that we were looking for. Inspired by modern film composers such as Jed Kurzel, Hildur Guðnadóttir and Jóhann Jóhannsson, we wanted to capture not only a very particular tonal quality, but also some very specific articulations which we feel represent the musical landscape that is featured throughout many of our favourite film scores.
We captured a range of basic articulations such as Legato, Sustains, Spiccato, Pizzicato, Tremolo and Col Legno, however it is what we captured next which truly brings the library to life. In collaboration with Danny, we curated a range of unique and inspiring articulations, some of which aren’t featured in any other sample libraries. These include Arpeggio Crossings, Warped Sustains, Circular Bowing, Harmonic Falls, Harmonic Wavers, Harmonic Glissando and Seagull Screeches. Not only do these sounds work wonderfully as aleatoric effects but also can be used very musically and can be used to create fascinating and dark, soulful atmospheres which enrich scores and bring an amazingly raw and lifelike sound which is usually unachievable with samples.
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